Filmmaker Matthew Mishory's (Joshua Tree, 1951) father (and generations of his family) were born in the Jewish agricultural village of Mărculeşti in north-eastern Romania, now a part of the independent state of Moldova. Matthew's father fled Romania with his parents as a small child, three years before Kristallnacht. Others were not so lucky; the village and its inhabitants were destroyed in the Holocaust. In the decades since, the region itself has withered under years of Soviet neglect and Moldovan poverty. In the fall of 2013, Matthew will become the first member of his family to return in over 75 years. Working with renowned cinematographer Michael Marius Pessah, Romanian producer Sabin Dorohoi, and a very small crew, he will document the last remaining vestiges of Jewish Mărculeşti (an ancient crumbling cemetery, an unmarked mass grave), meet the region's few current inhabitants, and capture the profound absence of a once-thriving community and way of life. A beautifully photographed, contemplative, and essential step toward reconciliation with the past, the film will also serve as a subtle but timely reminder -- as xenophobia again surges on the Continent and in the United States.
On a sleepy Sunday morning in late July 1965, Detective 3rd Grade James McDonnell received a call in the upstairs squad room of midtown Manhattan’s 17th Precinct. There was a man at the Western Union office in Grand Central Station who might be impersonating a police detective, he was told. The man was in the company of a 14-year-old runaway and had contacted the boy’s father in Texas to wire plane fare so the son could fly home. The father had grown suspicious when the man had asked for $150—twice the needed amount. McDonnell quickly drove the 10 blocks to Grand Central, parking his unmarked black sedan on Lexington Avenue and hurrying down to the terminal’s lower level. Criminal impersonation of a police officer was an E felony—a “good collar,” as cops like to say, and if the perp had a gun, even better. There’d also been chatter on the detective grapevine about a number of recent cases of phony policemen, so McDonnell was eager to see what was up.