(TIME-Warp) a WEEK of LOSS and RETROSPECTIVE!

This week we pay homage to 2 anniversaries; the 28th anniversary (July 25) of the Death of Studio 54 owner, Steve Rubell and the 27th anniversary (July 28) of the infamous 175-photo retrospective of the work of the late-Robert Mapplethorpe at the Whitney Museum in New York City.

Mapplethorpe worked primarily in the studio, particularly towards the end of his career. Common subjects include flowers, especially orchids and calla lilies, and celebrities, including Andy Warhol, Deborah Harry, Richard Gere, Peter Gabriel, Grace Jones, and Patti Smith. Smith was a longtime roommate of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses.

Other work includes homoerotic and BDSM acts (including coprophagia), and classical nudes. Mapplethorpe's X Portfolio series sparked national attention in the early 1990s when it was included in The Perfect Moment, a traveling exhibition funded by National Endowment for the Arts.

The portfolio includes some of Mapplethorpe's most explicit imagery, including a self-portrait with a bullwhip inserted in his anus. Though his work had been regularly displayed in publicly funded exhibitions, conservative and religious organizations, such as the American Family Association, seized on this exhibition to vocally oppose government support for what they called "nothing more than the sensational presentation of potentially obscene material." As a result, Mapplethorpe became something of a cause célèbre for both sides of the American Culture war. The installation of The Perfect Moment in Cincinnati resulted in the unsuccessful prosecution of the Contemporary Arts Center of Cincinnati and its director, Dennis Barrie, on charges of "pandering obscenity".

His sexually charged photographs of black men have been criticized as exploitative. Such criticism was the subject of a work by American conceptual artist Glenn Ligon, Notes on the Margins of the Black Book (1991–1993). Ligon juxtaposes Mapplethorpe's 91 images of black men in the 1988 publication Black Book with critical texts to complicate the racial undertones of the imagery.

Mapplethorpe died on the morning of March 9, 1989, 42 years old, in a Boston, Massachusetts hospital from complications arising from AIDS. His body was cremated and the ashes buried in Queens, New York, in his mother's grave, marked 'Maxey'.

Nearly a year before his death, the ailing Mapplethorpe helped found the Robert Mapplethorpe Foundation, Inc. His vision for the Foundation was that it would be "the appropriate vehicle to protect his work, to advance his creative vision, and to promote the causes he cared about". Since his death, the Foundation has not only functioned as his official estate and helped promote his work throughout the world, it has also raised and donated millions of dollars to fund medical research in the fight against AIDS and HIV infection.

Steve Rubell and Schrager opened two clubs, one in Boston with John Addison from La Jardin, the other, called The Enchanted Garden, in Queens in 1975. In April 1977, they opened Studio 54 in an old television studio on West 54th Street. Rubell became a familiar face in front of the building, turning people down at the door and only letting in those who met his specific standards. Rubell also dealt with the club's celebrity patrons, ensuring that they were thrown lavish parties. His tactics worked, and the club made $7 million during its first year.

In December 1978, Studio 54 was raided after Rubell was quoted as saying that only the Mafia made more money than the club brought in. In June 1979, Rubell and Schrager were charged with tax evasion, obstruction of justice, and conspiracy for reportedly skimming nearly $2.5 million in unreported income from the club's receipts, in a system Rubell called "cash-in, cash-out and skim." A second raid occurred in December 1979. The pair hired Roy Cohn to defend them, but on January 18, 1980, they were sentenced to three and a half years in prison and a $20,000 fine each for the tax evasion charge. On February 4, 1980, Rubell and Schrager went to prison and Studio 54 was sold in November of that year for $4.75 million. In January 1981, Rubell and Schrager were released from prison after handing over the names of other club owners involved in tax evasion.

In 1985, after discovering he had contracted AIDS, Rubell (who was closeted for most of his life) began taking AZT, but his illness was furthered by his continued drug usage and drinking, which affected his already compromised immune system. Rubell died on July 25, 1989, with the official cause of death listed as hepatitis.